David Acer is an original in a business where creativity is a treasured commodity, and that fact alone places him on the very short A-list of top contributors to the art of magic.” - David Regal

INTERVIEWS WITH DAVID ACER

 

Sleightgeek Magazine: An Interview with David Acer

(August, 2004)

1. Hello and welcome to Sleightgeek magazine. What are you up to these days?

Thanks! And congratulations on the magazine! It's always nice to hear a new voice in the fray. What am I up to? Well, right now I'm... Hang on a second, Law & Order is starting. I hate missing the first two minutes. I'll be right back...

Okay, I've seen this one before.

Right now I'm co-writing and co-hosting a series for Discovery Kids called Mystery Hunters. We're in our second season (Season One was nominated for three Gemini awards, the Canadian equivalent of the Emmys). I host the show with two teenagers, Araya and Christina, and we explore supernatural phenomena from around the world, like haunted houses, lake monsters, aliens, whatever. My character is a scientist/magician/skeptic and I try to help the kids look at these phenomena from different perspectives, without totally undermining the wonder that is inherent in them. In other words, I'm a guy who wants to believe, I just don't want to be a sucker. I also get to do a fair bit of magic during the show that goes unexplained, usually in the context of our stories.

2. Tell us something about how you got started in magic.

Sure. Reader's Digest version. 9-year-old kid. Really shy. Gets a magic trick in his stocking for Christmas. It's a “Ball And Vase.” Kid lights up. Fascinated by trick. Insightful mother sees this might bring kid out of his shell, so she takes him down the street to a magic shop. Kid walks in and sees rack after rack of fascinating tricks. Kid hasn't been vaccinated. Bug bites.

3. Who do you look up to and respect in the world of Magic ?

Paul Harris and Jay Sankey for creative prowess. Chad Long and David Williamson for comedy performing chops that are good enough to fly in the real world, not just at magic conventions. Mac King for raw professionalism and an ability to make even the simplest plots commercial. Penn & Teller for purportedly breaking all the rules, yet still creating interesting, accessible, hugely entertaining shows.

4. How about 'outside' of Magic ?

I love Steve Martin. That's a career worth emulating. Sold out stadiums as a stand-up comic, writes funny, critically acclaimed short stories, novels, movies and plays.

5. Tell us about your first professional engagement.

I think it was a kid's birthday party when I was about 10 years old. I put up a hand-made sign at the local library, with a badly-drawn bunny rabbit coming out of a top-hat that looked more like a soup can. But some guy actually called me to perform at his kid's birthday - I guess after calling around, the price tag of $5 appealed to him. I don't remember how the show went, but I do recall that he gave me $10 instead of $5, so either it was good enough to warrant a tip, or bad enough to generate sympathy.

6. Even the best magicians in the world still have to practice. How much time do you put aside for this ?

I write during the day, and I always have a deck of cards or some coins in my hands, so I probably spend 4 or 5 hours a day practicing. Rehearsing, however, is another matter, and I do much less of that than I used to. However, I still do at least two or three sets a week at the comedy clubs here in Montreal, in addition to whatever gigs I have booked, so even though the act gets done in bits and pieces, it stays pretty sharp.

7. What do you do for fun and relaxation ?

I like to put little red lights in stuff around my house, then preface their names with D apostophe. D'Fridge. D'Television. D'Rectal Thermometer.

8. What is your view of the increasing exposure of magic secrets on the Internet ?

I think my view is completely irrelevant. It happens and it's going to continue to happen. I also think that magic as performed by the leaders in the field has less to do with secrets and more to do with engaging an audience (dramatically, comedically, intellectually, whatever). As such, exposure on the internet should have little to no impact on our craft. But it sure makes people nervous, doesn't it...

9. What 3 magic books do you think should be in any upcoming magician's library?

THREE?!? You sadistic bastard! I wrote an article for Genii a couple of years ago where I asked a bunch of magic heavyweights to submit a list of their ten favorite magic books, and I got blasted because they found it damn near impossible to narrow it down to TEN! And you want me to keep it to THREE?!?

Okay, if you wanted to perform professionally, and you were only allowed three books, I would say you need one book that's crammed with tricks - that would be The Mark Wilson Course In Magic. You also need one book that will teach you how to perform. That would be Eugene Burger's The Performance of Close-Up Magic. And maybe one big book of commercial card magic so you could get by at a show with just a deck of cards. Let's say Scarne On Card Tricks.

10. What's the single most satisfying experience you can remember in your life ?

When I solved one side of a Rubik's Cube.

11. What's your personal favorite magical effect ?

To perform? A card trick I do at comedy clubs called “Party of Six.” It allows me to bring six people on stage and gives me tons of opportunities to improvise. The trick is in my new book, Random Acts of Magic, which, like my previous books, is being published by The Camirand Academy (www.camirandmagic.com). It's scheduled for release in October.

12. If you hadn't been a magician, what job do you think you would be doing now ?

Making Card-Toon decks for Dan Harlan.

13. What ambitions do you still have ?

Just to keep getting better.

14. Magic attracts lots of female spectators so why do you think the world of Magic is very much 'male dominated'?

Because art reflects life. The world is still full of bonehead men who refuse to empower women for fear that they might excel beyond them. And a woman who gets into magic has to deal with that from both her peers and her audiences, and that's in addition to how rough the business is anyway. It's a lot to handle.

15. What's the best advice anyone ever gave you ?

Show business isn't a sprint, it's a marathon.

16. What difficulties (if any) have you met on the 'business' side of magic ?

I don't know what it's like in the U.S., but in order to make a living as an entertainer in Canada, you really have to have a lot of irons in different fires. In particular when you're starting out, you can't pay the bills just as a comedian, or just as a writer, or just as an actor. That's why you often find people who do all three, and sometimes more. This isn't really a difficulty, I suppose, just a reality. Of course the upside of this is that each specialty feeds the creative machine, so ultimately, you improve at all of them more than if you had just focused on any one.

Also, undercharging is a chronic problem in the industry. Different cities have different norms, of course, but it's hard for a really good kidshow magician to charge $500 when his peers are all charging $125. As a result, the ceiling in many cities is far too low. It's like an invisible salary cap that magicians just can't exceed. And that's not unique to magic. In Canada, the norm for comedians has been established predominantly by one short-sighted, national chain of comedy clubs that has a stranglehold on the industry, but in order to maintain control, they keep the prices down, so corporate gigs that comedians should be getting $2000 for end up netting them $450, and if a comedian gets a direct call from a client and asks for $2000, the client just calls around, eventually contacting this national chain, who offers another comedian for one quarter of the price. Once you have some television exposure, and there is demand for you specifically, things change, but everyone else is basically screwed.

17. What movies, books, music do you like?

Yikes! Big category! I'll try to narrow it down a little:

5 favorite films - Contact, Searching For Bobby Fisher, Lord of the Rings Trilogy.

5 CDs I've been listening to a lot lately - Songbook, Volume I (Randy Newman), Hot House (Bruce Hornsby), Californication (Red Hot Chili Peppers), Ten Summoner's Tales (Sting), Tumbleweed Connection (Elton John)

5 books I thoroughly enjoyed - The Life of Pi (Yann Martel), American Gods (Nail Gaiman), Millroy The Magician (Paul Theroux), Ender's Game (Orson Scott Card), The Pre-History of the Far Side (Gary Larson)

18. We have lots of young talented magicians here at Sleightgeek. What advice would you give to them.

Perform for real people every chance you get.

19. Now it's your turn...What are you ' selling ' ?

I have tricks, books, videos and DVDs for sale on my website, along with tons of clips from TV shows, radio shows, and other fun stuff that you can check out for free. It's all at www.davidacer.com.

For Sleightgeek interviews with Lee Asher, Jeff McBride and more, go to www.sleightgeek.com

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  DVD'S: click here to browse through David Acer's online catalogue of DVD's.
  TRICKS: click here to browse through David Acer's online catalogue of tricks.
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Acer treats everything in his immediate environment as potential threats, or possibilities. Every situation evokes an assessment, a riposte, a goad, an amusing or telling observation... He is funny-cool.” - Jon Racherbaumer

I have travelled magic’s sandy, palm-covered shores and finally found the golden coconut that is David Acer! Absolutely fabulous!”-
Simon Lovell

"Sa magie est l’une des plus efficaces et interessantes qui soient!” [His magic is among the most effective and interesting there is!" -
Hivaldo, ARCANE (France)

David Acer is my favorite tall Canadian. Wait a minute, I forgot about Gary Kurtz. David Acer is my second favorite tall Canadian.” - Michael Close, MAGIC

For info on David's Stand-Up Comedy, Short Films, Television Appearances (Comedy, Acting, Magic), Tour Dates, News of Interest, and more, go to www.davidacer.com.